Production History
Festival Production, Venus Theatre Festival, 2014
Festival Production, Manhattan Repertory Theatre, 2012
Festival Production, Midwinter Madness Festival, 2012
Reading, Firehouse Center for the Arts, 2020
Reading, Tri State Actors Theatre, 2013
Awards
Winner, Peter Honegger Prize, Firehouse Center for the Arts, 2020
Nominee, Best Play, Venus Theatre Festival, 2014
Nominee, Best Play, Midwinter Madness Festival, 2012
Finalist, Bottle Tree Productions Playwriting Award, 2011
Press
"The use of these flashbacks and memories is an effective device in which Carabatsos manifests what is happening within the surviving character’s minds. It keeps the action quick and interesting, while allowing the weight of the play to not turn too cerebral. . . . “I want to do happy,” Helen says to Charlie near the end of the play. And finally, after Carabatsos has taken us through the memories and the tragedy, we see that after committing to the grieving process there is hope for happiness and a new stage to come" (Rebecca Bernard, Show Business Weekly).
Festival Production, Venus Theatre Festival, 2014
Festival Production, Manhattan Repertory Theatre, 2012
Festival Production, Midwinter Madness Festival, 2012
Reading, Firehouse Center for the Arts, 2020
Reading, Tri State Actors Theatre, 2013
Awards
Winner, Peter Honegger Prize, Firehouse Center for the Arts, 2020
Nominee, Best Play, Venus Theatre Festival, 2014
Nominee, Best Play, Midwinter Madness Festival, 2012
Finalist, Bottle Tree Productions Playwriting Award, 2011
Press
"The use of these flashbacks and memories is an effective device in which Carabatsos manifests what is happening within the surviving character’s minds. It keeps the action quick and interesting, while allowing the weight of the play to not turn too cerebral. . . . “I want to do happy,” Helen says to Charlie near the end of the play. And finally, after Carabatsos has taken us through the memories and the tragedy, we see that after committing to the grieving process there is hope for happiness and a new stage to come" (Rebecca Bernard, Show Business Weekly).
